(7 October 1859 - 10 February 1927) was a Norwegian painter. He was best known for interiors and domestic and rural scenes. His artistic style was associated with Naturalism and noted for accurate observations and attention to detail. Gustav Wentzel was born in Christiania. He was a pupil of painter Knud Bergslien (1879-81) of and Frits Thaulow in 1883. He also studied for a time in Paris at the Academie Julian in 1884 and at Academie Colarossi with Leon Bonnat and Alfred Philippe Roll (1888-89). Wentzel first public painting was exhibited in Albert Cammermeyer bookstore during the autumn of 1879. His painting Snekkersvennen, which had been rejected by the Christiania Kunstforening, led to a lasting dispute and the establishment of an exhibition organized by the artists themselves, which eventually became an annual event called Autumn Exhibition (Høstutstillingen) in Oslo. Among his paintings at the National Gallery of Norway are I fiskernaustet from 1881, Frokost from 1882, and Dans i Setesdal from 1887. Wentzel was decorated Knight, First Class of the Royal Norwegian Order of St. Olav in 1908   Related Paintings of Gustav Wentzel :. | Sailor's Funeral in the Country | Festningsmur | Painting Snekkerverksted | Hostlandskap | Vinterbilde fra Vaga |
Related Artists:
Jackson Pollock
l912--1956,U.S. painter. He grew up in California and Arizona. In the early 1930s he studied in New York City under Thomas Hart Benton, and later he was employed on the WPA Federal Art Project. In 1945 he married the artist Lee Krasner. Two years later, after several years of semiabstract work stimulated by psychotherapy, Pollock began to lay his canvas on the floor and pour or drip paint onto it in stages. This process permitted him to record the force and scope of his gestures in trajectories of enamel or aluminum paint that veiled the figurative elements found in his earlier work. The results were huge areas covered with complex and dynamic linear patterns that fuse image and form and engulf the vision of the spectator in their scale and intricacy. Pollock believed that art derived from the unconscious and judged his work and that of others on its inherent authenticity of personal expression. He became known as a leading practitioner of Abstract Expressionism, particularly the form known as action painting. Championed by critic Clement Greenberg and others, he became a celebrity. When he died in a car crash at 44, he was one of the few American painters to be recognized during his lifetime and afterward as the peer of 20th-century European masters of modern art.
Isidre Nonell
(November 30, 1873, Barcelona, Spain - February 21, 1911, Barcelona) a Catalonian painter and drawer belonging to post-impressionism known for his expressive portrayal of the socially marginalized of Barcelona society. (He is also said to belong to modernism and postmodernism.) Isidre Nonell was born in 1872 (not in 1873 as indicated by some biographers). His parents, Isidre Nonell i Torras de Arenys de Mar and Àngela Monturiol i Franc of Barcelona, owned a small but prosperous factory of soup noodles. Together with his childhood friend, Joaquim Mir, with whom he attended the same school in the neighborhood of Sant Pere in the old part of town in Barcelona, he developed artistic ambitions at an early age. His early teachers included Josep Mirabent, Gabriel Martenez Alt and Llu Graner. From 1893 to 1895 he studied at the Escola de Belles Arts de Barcelona (Fine Arts School of Barcelona). He met Ricard Canals, Ramen Pichot, Juli Vallmitjana, Adrie Gual, and Joaquin Sunyer with whom he developed an interest in landscape painting, studying light. The study of sunlight and its effects on color were a main part of Impressionism, which was then active. They were called the "Saffron Group" for the warm tones they used, as well as the "Sant Marte Group" after the town they painted in. In 1894, he began producing illustrations for La Vanguardia. He later drew for other periodicals, including LeEsquella de la Torratxa, Barcelona Cemica, Pel & Ploma, and Forma. In 1896, Nonell went with Ricard Canals and Juli Vallmitjana to the spa town of Caldes de Boe in the Catalonian Pyrenees to work at the spa run by Vallmitjana's family. There, he saw a large number of people suffering from the illness of cretinism, which became a subject of his paintings. In February 1897, he went to Paris with Ricard Canals. There he exhibited and shared a studio with Picasso. He returned to Barcelona in 1900. At the beginning of 1901, he made paintings of women, such as gypsy and working-class women, and still lifes. He exhibited in the Sala Par in Barcelona twice, in 1902 and 1903. The reaction to his works of poor gypsy women was very hostile.
Leibl, Wilhelm
German Realist Painter, 1844-1900 German painter, draughtsman and etcher. In 1861 he abandoned his apprenticeship as a locksmith in order to train as a precision instrument maker, though a month or so later he decided to train as an artist, at first under the Cologne history painter and writer Hermann Becker (1817-85). In 1863 he moved to Munich; he studied there from March 1864, at the Akademie der Bildenden K?nste, initially under Philipp von Foltz and Alexander Straehuber, drawing from plaster casts, and later in Hermann Ansch?tz's painting class. Here, Arthur von Ramberg (1819-75) stimulated Leibl's sensitivity to colour; and Karl Theodor von Piloty encouraged him to observe reality and incorporate its lessons boldly into compositions on historical themes. From the start, however, Leibl tended to think of his pictures in terms of form rather than content. While at the Akademie he first reached a standard of excellence with his draughtmanship, which is notable for its directness and objectivity. As an artist, Leibl's early works were not especially promising. However, as occurred throughout his career, a long period of mediocrity was crowned by an unexpected masterpiece, such as his portrait drawing of Aunt Josepha (c. 1864; Cologne, Wallraf-Richartz-Mus.). This is particularly striking for Leibl's use of the hands to add to the expression of the sitter's character and mood, a device he was to use frequently in later work. In Munich, Leibl supplemented the teaching of the Akademie by studying the works of the Old Masters in the Alte Pinakothek: he paid particular attention to painters of the Baroque period such as van Dyck, Cornelis de Vos and Rubens, and also to other great masters of portraiture such as Frans Hals and Vel?zquez. The presentation of the subject found in such works is reflected in Leibl's portrait of Frau Gedon (1869; Munich, Neue Pin.). When the work was shown at the Grossen Internationale Kunstausstellung in Munich in 1869 it was singled out as the best oil painting of the exhibition by Gustave Courbet and, as a result, Leibl was honoured with an invitation to Paris, where he arrived on 13 November 1869.